Michael Jackson

'Annie Are You OK?
So, Annie Are You Ok
Are You OK, Annie'
From a musical boy wonder to a global pop superstar, The King Of Pop, Michael Jackson electrified the plant with his never duplicated creative vision.
'Smooth criminal’ was first formed in 1987, by producer Quincy Jones and co- producer Michael Jackson- The

musical genius. Smooth criminal was created in the 1930’s, constructing a nightclub style.
At the beginning we see a mid - shot of the king of pop, catching the sights of just ONE of the iconic images of Michael Jackson (as shown on the left). Just as the introducing begins to kick in, MJ tosses a coin into the music juke box, enabling the audience to catch on the 1930's setting.
Mise-en-scene: lighting in such videos like Michael Jackson is essential in conforming to its whole genre as it applies to the whole theme i.e nightclub style. whereas, per harps other videos its not so vital. Also, spot lights main focus is on Jackson catching and pin pointing his signature moves. Again his iconic image becomes coherent with the lighting for emphasis on his vision.
As the instrumental starts we see a range of shots from close up shot, mid shot and to long shot of dancers. The dancing conforms highly to the genre as it enable to develop the narrative of the story. Also, as Michael is the choreographer it truly captures the pure creativity of one of pop cultures amazing entertainments.
The smooth criminal music video is part of Promotional package in which uses synergy to promote the film, ,Moon walker. this video is actually seen in the film conforming to dyers view that star uses a range of materials to promote themselves.
Richard Dyer, a theorist who examines the historical, ideological and aesthetic significance of musical stars performers, both within and beyond the cinema screen. Dyer suggests how the 'stars' images are created through a combination of 'filmic' - the exact image, vision and creativity of the video itself and 'extra filmic' - the constructed myth of the represented image of the stars. for example, the ways in which they present themselves on perhaps social networks such as; twitter, face book and chat shows.
Whilst the 'stars' informs the consumers that 'a star image is made out of media texts that can be grouped together as promotions, publicity,films, criticism and commentaries' Dyer takes this further as the reader is informed that a star ' consists of everything that is publicly available' about a performer. In the final analysis, Dyer argues that an iconic image of a star isn't just constituted by those films he or she appears in, but rather, is made up by 'the promotion of those films videos and but also through pin - ups and public appearances/hype. As well as interviews, biographies and coverage in the press of the stars doings and 'private' life.'
I would argue that Dyers argument would apply to Michael Jackson's status at this point in his career. He still retained a mythical status, and at this point stories about his private life hyped his career to more an extent. However, it is unfortunate that iconic artists such as MJ are reduced to media commodities.
http://www.bbc.co.uk/news/entertainment-arts-11499628